Tag Archives: horror movies

I didn’t hear much of the buzz surrounding Yeon Sang-ho’s Train to Busan until I watched one of my favorite horror movie reviewers cover it. Then I began to realize I had seen multiple threads about this movie and heard it name dropped frequently of late. I didn’t need a whole lot of reasons to watch a popular Korean zombie flick and decided immediately I was going to watch it this month. After Old Boy, The Host, I Saw the Devil, and A Tale of Two Sisters, I have a lot of faith in disturbing Korean movies and have yet to see a bad one.

Train to Busan is another excellent addition to this list. The story behind the film is as simple as the title implies — a busy, absent father takes his daughter on a train ride to the city of Busan and while they’re on the train it just so happens that the zombie apocalypse starts. Cue insanity.

If anyone is going to dismiss this movie it’s going to be over the fact that it’s a zombie movie. I can completely understand why anyone would be sick of zombies at this point. They can be a dull villain, because often no matter how much you mix it up they’re still just growling dead people who either run or walk and want to eat humans. You know what to expect out of any given zombie movie. If you absolutely despise this subgenre then chances are you’re not going to shed that point of view for a foreign horror movie.

Although I certainly experience zombie fatigue, there’s just something about them that I like even after the idea’s been done so many times. The first horror movie I ever watched was Night of the Living Dead and I’m still fond of most of Romero’s movies. For me, as long as there’s some new element added to the zombie concept, I’m into it.

I’m going to argue that there are two things that make the zombies in this film more interesting. The first is the confined environment. A train is a pretty linear setting and the movie does a good job portraying the chaos flowing through the train compartments. The confined space adds a somewhat interesting and new dynamic to the zombie story. It makes for some very cool scenes. The second thing is the actual look of the zombies. They’re not incredibly different, but their movements and appearances are well done. It looks almost as if they hired break dancers for the parts, seeing the way that they move.

I could potentially say there’s a third element that makes this film’s zombies worth it, but to be honest I didn’t find it all that intriguing. These zombies are blind in the darkness, which proves useful going through train tunnels. Eh? Eh.

The movie has a nice blend of silliness and drama without ever really dipping into being too horrifying or gory. There are some funny moments that are well placed and serve to break tension and also endear you to certain characters. The cast of characters, as I’ve found with all the aforementioned Korean horror movies, is fantastic. You slowly get to know them, learning a few traits to make you love some and hate others, and it’s done well considering there is quite a handful of characters. The daughter is absolutely adorable and doesn’t enter annoying child actor territory whatsoever.

The look of the movie is nice as well. The environment gives us some great contrasting colors, rich oranges and blues and grays and yellows. There are many scenes within this environment that are entertaining to watch. The zombies look great falling out of helicopters and pouncing off the ground, tumbling in a wave through the train in a way that speaks to World War Z but has a much better overall look. Some of the cooler scenes also are a bit silly, which is mixed in well and spread apart from the more dramatic action sequences.

One complaint I do have is how relaxed the actors are. There’s an enjoyable gradual build up of people discovering that the zombie apocalypse is happening, however the realization happens a little too slowly. It is ridiculous how slowly some people catch on to the presence of zombies in their train car. The actors don’t really scream and seem rather calm when confronted with the undead, which can be nice if you hate listening to the screaming.

What’s most charming about this movie (a horror movie? charming?) is that there are actually some nice family values carried throughout the story. Yes, it’s entertaining and action-packed, with some scenes that might make you gasp or slap your hand to your mouth, but the story still ended up being very touching and emotional. The ending moved me and I cared about the characters. Which is pretty shocking for a zombie movie.

This is one of the best zombie flicks I’ve seen in years, perhaps since the original [Rec], and I recommend checking it out even if you’re a little sick to death of the undead.

October is here, Halloween is coming, and this means horror movies. Anyone who knows me knows that I love horror and watch films in the genre nigh constantly. For the last five years I’ve attempted to watch a horror movie every single day in the month of October, always unsuccessfully, though last year was my best yet — made it to 28 horror movies out of the attempted 31.

This year I’ve decided not to attempt this silly feat, however, this hasn’t stopped me from having watched some horror movies recently. I will also still attempt to watch a handful this month and perhaps I’ll throw up some reviews for them. Until then, I’ll briefly run through some recent watches and let you know whether I think you should bother seeing them or not.

For additional horror movie reviews and recommendations, I encourage you to check out my posts from last year reviewing my rapid-fire horror movie marathon: Part 1, Part 2, and Part 3. There’s an interesting mix of good, bad and mediocre to peruse there.

Darling (2015): Don’t watch it.

Image result for darling movie

A lot of people recommended this film because it’s artistic and aesthetic. However, the movie has the same issue as A Girl Walks Home Alone at Midnight — there’s very little substance, so it can actually be quite boring. How much do you want to stare at the lead actress Lauren Ashley Carter? That’s really your litmus test for whether you should watch this film, as that’s really mostly what you’ll be doing. This film also fails to be as compelling as A Girl Walks Home Alone. There are less characters and less variety to the setting. The plot is a descent into madness tale, which is extremely unoriginal as it is, and fails to follow through with various threads. Overall, the whole affair is boring, uninspired, and bland. Just watch A Girl Walks Home Alone at Midnight or a Roman Polanski film instead.

We Are What We Are (2013): Watch it.

Image result for we are what we are

There’s certainly a lot of cannibal horror movies out there, but this one manages to be unique. The plot involves a family in a small town who lose their maternal figure and must figure out how to survive and move on while maintaining their, uh, lifestyle. The film keeps many aspects of their cannibalism — why, how, when, what they are — under wraps, and only addresses some of these questions by the end. However, the story unveils itself in such a way that the unanswered aspects work well in keeping you interested but not rolling your eyes. I didn’t like the way the ending played out, and there is some flash detective work that inevitably got my eyes rolling, but aside from this I very much enjoyed the movie.

Hush (2016): Watch it.

Image result for hush

Everyone’s been raving about this home invasion movie, which unfortunately is not exactly a good thing. This film is not as fantastic and revolutionary within the genre as most imply. The main character is deaf, which is the big gimmick that’s meant to add that extra intriguing dimension to this movie. Is it interesting? Yes, actually. However, in the end it never surpassed B-movie status for me. It just seemed like a well-made B slasher/home invasion movie with an interesting gimmick that only acceptably carried the movie. Nevertheless, I do think this movie is worth watching if you’re into slashers or home invasion plots, you will be entertained and perhaps even frightened, but in the end I can’t say this movie is exceptionally different or noteworthy compared to other entries in the subgenre, like The Strangers or Funny Games, for instance.

The horror found footage film As Above, So Below (2014) received quite a bit of attention two years ago while in theaters, and it’s oft been recommended to me since. I’m a fan of found footage, despite the usual infuriating nature of the genre, so I’d been interested in seeing this for a while. The premise of the film is intriguing, especially considering the set is actually the Catacombs, which also then means that many of the bones and skeletons are probably real. Pretty darn spooky, right? If dusty calcium scares you.

In the end, I can’t say that this is a good horror movie, but I was engaged. The beginning of the film is incredibly slow, however once it picks up it did keep my attention. The main character Scarlett is an academic wizard who thankfully is an expert in… symbology, which I suppose is the justification for how she’s able to interpret the hieroglyphics on the Catacomb walls to mean some pretty absurd things. She rattles off her interpretations in rapid-fire whispers that barely make sense, and the viewer must just accept that she is right because otherwise they’re fucked and the plot must go on, afterall. There is a moment where she attributes the phrase “Abandon hope all ye who enter here” to mythology, and as a massive literature nerd, I cringed pretty hard. I imagine most of what she says is similarly cringe-worthy. But it is a horror movie, so I accepted Scarlett’s rants and hoped for scary imagery.

The movie provided. The Catacombs look amazing, and while I didn’t find the jump scares effective and grew tired of them, the creatures are eerie-looking and the shadows and CGI worked well (meaning it was not particularly excessive). Many of the scenes are framed nicely and the overall aesthetics and appearance of everything works. I would say this is the strongest aspect of the whole movie—the visuals and setting.


Someone’s family, once

Eventually I began to believe the movie was self-aware and purposefully loading itself up with tropes for sheer amusement. This is not art. Some of the scenes are so ridiculous that they are laughable. A particular scene features Scarlett essentially getting a star in Mario and going back through the tunnels they just spent 45 minutes of film time traveling through, then Mario-starring it back again.

Also, the film doesn’t really try to make the camera situation make sense. Some may find this irritating.  Many found footage films attempt to explain where the footage is coming from, how they were able to get certain angles and shots, but that doesn’t really happen here in a convincing manner. I wasn’t really bothered much by this, as in the end the whole premise is ridiculous and I just wanted to see spooky things.

If you want your movies to make sense, then this isn’t really the film for you. There’s a long list of nonsensical, bad moments in this movie. But if you enjoy found footage irregardless and want to see a horror film shot in an interesting setting with some cool scenes, then this will surely entertain you—enough.



Finally, October is over, and I’ve watched far too many horror movies. Flicks which I compelled myself to review here, this being the third part after watching and reviewing twenty other movies in previous installments, with the ultimate goal of watching thirty one scary, spooky films this month. After doing this for 5 years straight now, as well as watching horror pretty consistently during off season, I feel like I have seen hundreds of horror movies at this point. Perhaps my viewpoint has some value after that—but I seriously doubt it.

Anyway, I didn’t actually succeed this year. I’ve never succeeded in my goal of watching thirty one movies, usually making it to 24-25 before I burn out or experience too many hangovers. This year, however, I did make it to TWENTY EIGHT movies, which has been my best ever. This is a superlative year, and I’m proud of myself…. I…. guess. Not only that, but I actually reviewed every one. Wow, this is a stupid hobby.

This warrants the infamous big man tiny pumpkinhead dance gif.

Away I go.

October 21st: Halloween (1978)


Ooh, this is a big one, folks. When people think horror, one of the first things they usually think of is John Carpenter’s Halloween (and The Exorcist—think outside the box a little bit more, people). This is one of the big classics. Honestly, most of you have probably already seen this. So I’ll get right to opinions. I really just do not like Jamie Lee Curtis’s acting in this movie, and I feel like there are too many scenes with her walking around dreamily, looking like a giant adult schoolgirl. Curtis looks like a grown woman in this movie. Michael Myers isn’t a very interesting villain either, I much prefer Black Christmas’s Billy (which I will discuss much further several reviews down). In fact, this movie is kinda dull and not all that much happens. I suppose it’s popularity might be something beyond my understanding of film history, but maybe it’s the simple title and simple story that makes Halloween so popular. The movie has to be one of my least favorite slashers.

October 22nd: Killer Legends (2014)


Here we have another horror documentary, much like The Nightmare and Cropsey. I was very skeptical for the first twenty minutes of Killer Legends—it almost seemed like a Cropsey rip-off for a moment near the beginning. But then this movie evolved into something more unique, and more well done then initially expected. Basically, this documentary explores the origins of several urban legends—and explores them pretty damn close to their legitimate origins. And of course, the legends are extremely common ones that I remember hearing about in the dark at sleepovers when I was young: The Candyman, the Babysitter and the Man Upstairs, The Hook Man, and the Killer Clown. I think my favorite segment was The Hook Man origins exploration, as it touched on some film history and unsolved murder cases. This was a smart movie and I enjoyed watching it. I wish someone had given it a better title.

October 23rd: Blood Glacier (2013)


Speaking of titles: There’s just something about a movie called Blood Glacier, I needed to watch this. The glacier is full of blood? Cool. I’ll go with it. Really, this movie ends up being a huge rip-off of The Thing (for shame!), but it’s strange enough in it’s own special way at the same time. You have probably already assumed the plot: researchers in the Alps are doing researchy things and then there’s blood all over a glacier and this somehow leads to mutant animals. The hybrids look pretty stupid, especially compared to the fantastic creature formations from The Thing. The endpoint of the plot is incredibly strange, and I sat there with my head cocked to the side for a while after this one. Strange, strange, strange. And not in a good way.

October 24th: Wer (2013)


I was very into the movie as I watched Wer. Now, I’m looking back and wondering if maybe the movie was just a little too ridiculous. The violence is over the top in a lot of scenes. Still, it’s a cool werewolf movie set up differently—and more seriously—than a lot of the other werewolf movies I know. The movie’s main is a defense attorney trying to prove her client did not commit an extremely brutal murder that we see in the first few minutes of the movie. The brutality is observed only by a scene where they show their corpses in the morgue. Yeesh. The injuries go hard in this movie. Honestly, the effects all look pretty awesome, and there are some very interesting deaths. The ending is a little vague, which didn’t make me very happy, but it was specific enough that I wasn’t pissed off. I think this is a good modern werewolf movie, not worth ignoring though it may not appeal to everyone’s tastes.

October 25th: The Horde (2009)


Ugh, this is an extremely disappointing French horror movie and honestly I don’t even really want to spend time reviewing it. Basic fast zombie movie that is primarily set in a social housing complex, throwing in some gangs versus cops. There’s some bad revenge in there as well, and just lots of men being very intense toward each other with basic zombie kills. You’re much better off just rewatching the 28 Days series.

October 26th: Come Back to Me (2014)


I viewed Come Back to Me as a rather silly movie until being completely taken aback by the ending. The ending of this movie is possibly infuriating but also completely unexpected. We have a nice young couple living in suburbia who have some small problems and weird jobs (the woman is researching the effect of porn on relationships), and an extremely creepy young man moves across the street. But of course this is set up after we see the history of this creepy young man at the beginning, where a boy is shown petting a rabbit while his father beats his mother to death. In present time, the woman is having horrible nightmares where she jolts awake gasping with fear. How are all of these things related? Oh, you know they’re related. Everything is rather predictable, until there is a twist, and then the ending happens out of the blue—all in all, pretty entertaining. Not the easiest movie to take seriously, but certainly enjoyable.

October 27th: Black Christmas (1974)


This one was a rewatch for me, and really it’s one of my favorite classic slasher films. Black Christmas came out four years before Halloween, and did the whole slasher thing much better. We have a sorority house with a bunch of young independent women who don’t need no men, ranging from crass to kind, and a completely insane murderer living in the attic crawl space. His name is Billy and he calls the young women repeatedly (FROM INSIDE THE HOUSE!) and just…. giggles and pants and says some extremely disturbing stuff, making some creepy noises that require a big range of voice (a woman was employed in the making of these phone calls to get those really high-pitched sounds in there). There’s some humor mixed in as well, focused often on how sexually independent the sorority girls are (one of them is dead set on getting an abortion and has arguments with her boyfriend about how she has the right, while he tries to harangue her into having the baby) and the controlling, prudish men of the world. Billy is never really shown much, which is good because really seeing the effect his shadowy presence has on the women in the house is far more interesting. The movie is a bit too long for what it is, but still a classic and worth watching.

October 28th: The Road (2011)

Yam Laranas The Road 2011 Film Review

The Road is a Filipino horror movie that falls flat on its face. The movie is extremely stylized and somewhat interesting for stretches of time, but when the plot finally ties together the concept is just so stupid. I can’t really complain about why it’s stupid without giving away spoilers. There’s a lot of eerie images and beautiful scenes, so if you simply want to watch a movie to see that, then sure, watch this movie. The whole thing story-wise is just disappointing. This was the last one I watched this month for this thing, and I felt bad that I ended on such a gloomy, poor movie.

There they are, the many horror movies I watched in October and my opinions on whether they are good or worth watching or not. I dd the dirty work for you, everyone. I’m just glad the effort is over, and I might not be watching a horror movie for a while. Now, if you haven’t read the first two parts to these Rapidfire Reviews, please go back and check out what other movies I watched.

Alright, yes, here I am, still watching horror movies. I had some intense horror movie conversation at a bar last night and I feel invigorated and ready to keep this going. So, after viewing nine horror movies for Part One, here is my second installment of these Rapidfire Reviews.

October 10th: Funny Games


This is the first movie I’ve watched this month that I had already seen before. But it was a Friday night, you see, and we had a friend over who loved horror movies but had never seen it. In my personal opinion, this is a must-see when it comes to horror. The movie makes a point to show that the two villains in the plot are very aware of exactly what they are doing—that being tormenting a poor family in order to exact fear, tension and anguish for a viewing audience. Yes, it’s really meta-horror. However, it doesn’t beat you over the head with this. For the most part the film is nerve-wracking and disturbing, and then sometimes that cavalier evil lead with his chicken legs will wink at the camera, or make a comment that reminds you that he is aware that you want to see a show of this nice family unit’s demise—which I assume is meant to make the viewer feel uncomfortable and even a bit guilty. This is driven home even further when very little gore or brutality is even shown on camera, most deaths happening off camera, while what is shown is the abject grief, tormenting question of why this is happening plastered over the faces of the victims. The most effective scene in the movie spans for about ten minutes and mostly involves two of the characters sitting on the floor, one of them off-screen for a while, just absorbing their escalating anguish and despair and putting all of their strength in still trying to escape despite what’s happened to them, one of them eventually breaking out into uncontrollable, animalistic sobs and noises. Not much happens as we view this, but it allows you to absorb what the characters must be feeling, gives you time for your brain to try to wonder how you would react in such a situation.  This movie really succeeds on a psychological level.

October 11th: Final Girl (2015)


Well, things have been going fairly well, but then here we have this—I watched the wrong movie. I was intending to watch The Final Girls (2015)which I had heard was a quality spoof, but in my attempts to quickly find the movie free online I ended up watching Final Girl (2015)Which ended up being… not so great… at all. The movie sort of has a horror vibe to it, though I suppose it’s more of a thriller, and overall it’s just bad, bad, bad. Abigail Breslin is in it, which is strange, since she’s randomly being raised to be an assassin so this stoic guy can get revenge for his wife and daughter who were murdered. But—the people Breslin is playing victim for so she can kill…. they’re teenagers. There’s no way they were involved in the murder of his wife. Yes, they are murdering women—or at least one woman—but the motivation for training her for years to target this one specific group just goes unexplained. Are they going to… keep doing that? Killing men who kill women? The majority of the movie takes place in the woods, which is in the “middle of nowhere,” but has stadium lighting throughout. The list of nonsense goes on. I wonder if The Final Girls is any good. I bet it will be better than this crap, if I ever get around to finding it and watching it.

October 12th: The Fly (1958)


I guess growing up having seen The Simpsons version of The Fly ruined the creepy vibe the film really ought to give going in, but don’t worry—my expectations were corrected. Despite how used to the concept I was, the whole film was still very disturbing. Vincent Price was, well, Vincent Price, so incredibly entertaining and sharp. I enjoyed that there was a mystery aspect to the storyline, as I hadn’t been expecting that. The dehumanization of Andre is disturbing to see, and I feel for him as he desires to end his hopeless life post-abomination, as well as his wife who covers for him faithfully. The part that bothered me the most (which I imagine can also be seen as humorous) is the disappearance of the cat. Where does that cat go?! The meows sound distressed, so I immediately imagined horrible things, like it was fused into a wall to die or something. That fate sounds even worse than that of Andre. Should I watch the Jeff Goldblum version at any point? Well, that’s for you to tell me. But this version is definitely a must-see classic.

October 13th: Dark Skies (2013)


I’m wary toward alien movies because for the most part they really suck. So I assumed this movie was going to suck, but not only was it okay, it was even pretty good. The movie does suffer horribly from Dumb Dad Syndrome, which is severe enough that it prevents this movie from being great in any way. The dad spends almost the entire movie just being so stupid, completely dense and angry at the wrong times, argumentative and illogical and asinine. It’s incredibly frustrating. For crying out loud, I even like the kids in this movie, and that almost never happens. The older brother looks out for the little brother from the very beginning and it’s really touching and relieving. The arguing, however, ends up being between the parents, which would have been more bearable if the dad didn’t take the angry stupid up to 11 every single time. He does eventually get his shit together, but by that point it’s too late and I’ve spent too long hating him to feel impressed. The ending has a twist, which is very small but still interesting as it makes you realize there are things you should have paid more attention to throughout the movie. The movie is a bit predictable, but still sad—and the aliens do look fucking creepy.

October 14th: The Conspiracy (2012)


This found footage movie was about, shockingly, conspiracy theories. I was expecting alien conspiracy theories or something, but the movie focuses a lot in the beginning on 9/11 and powerful groups. If you believe that conspiracy theories are cool, and that there is a remote chance in hell that anyone would ever be organized enough for an ancient evil omniscient criminal group, then sure, this may be your thing. I think conspiracy theories are boring however, because we’ve all heard the speculations and it’s reached the point where it just doesn’t sound creative or interesting. And the whole first 45 minutes is straight up documentary footage about a guy going on about conspiracy theories, and then he disappears, and a crew member continues to research conspiracy theories to try to find out why. It is just not interesting to watch, unless like I said before you get titillated by Ancient Aliens or the new crap that’s on the History channel. When the movie finally does begin to approach its climax it does get good. There were a good ten to fifteen minutes where I felt the tension and was intrigued by what was going on. Then the ending came along and ruined everything. That ending was just garbage. It was so unrealistic, and made the whole reason that there was documentary footage being put together for the whole event and people being interviewed just senseless.

October 15th: Below (2002)


Apparently this movie isn’t exceptionally well-liked, and many think it’s a bit silly. I can see that some may find it lame, but I must admit I was incredibly into this movie the whole time. It was like Poseidon Adventure meets every ghost movie ever. When I was a little kid, Poseidon Adventure was one of my favorite movies, thus, I’m assuming, sparking a love of submerged ships for me… forever. I also had the opportunity once to take students on a tour of a WWII submarine and I thought it was just the coolest thing ever. We walked through each room and were shown the compartments. This film apparently is partially filmed on a real submarine, so a lot of it looked pretty cool. Well, the submarine itself. The graphics, on the other hand, are laughably bad. You can tell they spent the whole budget renting the submarine. The movie is also co-written by Darren Aranofsky, and directed by David Twohy, the same guy who did Pitch Black and Chronicles of Riddick. I like those movies as well, and they are often thought of as silly, so I guess I just enjoy the silly grim suspense of this director. The plot of Below is incredibly simple, but it doesn’t beat you over the head with the reveals and I found it very enjoyable. Zach Galifianakis is in it as well, and although he regrets his earlier film work, I enjoyed him in this. He plays that needed kooky guy who turns out to be surprisingly reliable (think: the stoner in Cabin in the Woods). I recommend this movie, and I say haters go to hell.

October 16th: The Awakening (2011)


This movie was about a young woman dissatisfied with her marriage until she goes and drowns herself. Wait, that’s not it. No, this one is a ghost story, and there’s a boarding school and a lady (Rebecca Hall) who is probably going hysterical from being too clever of a woman. Educated women, you know, they go crazy. There’s a mystery, a twist, a woman unraveled and creepy little boys galore. And it’s all just so strange and silly. There’s a doll house and little yarn people and everything. Throw in some extraneous attempted rape and a big woman named Maud, and you have this movie. Apparently there are people that like this movie, but it’s actually really not good unless you like to see Rebecca Hall being cross with people. Oh, and her boobs.

October 17th: Rocky Horror Picture Show (1975) (Live Screening with Actors)


Okay, so I did technically watch a movie today, and one with horror in the title. I just did it in a theater—there was a live performance—and this doesn’t exactly count as a horror movie. But it does sort of still, actually, because it’s a musical horror comedy. There is a castle where a mad scientist creates a monster, there are aliens, there is someone stabbed to death with a pick-axe. Definitely counts. Anyway, like many people I have seen this movie dozens and dozens of times. I’ve even seen live screenings before, but this was the first time with actors. These people, playing Brad, Janet (pictured above), Dr. Scott, Rocky, Frankenfurter, Colombia, Magenta, Riff Raff, that doctor dude with no neck, were running around in between the aisles and interacting with people. During the sex scene, Frankenfurter was on top of Janet in the seats behind us. People were shouting at the screen non-stop, toilet paper and toast were thrown—the usual live stuff.  My partner and I were identified as virgins to a live performance and had lipstick “V”s drawn on our faces. This resulted in us later getting spanked with the other virgins on stage. As for the movie itself, I just love this movie. Tim Curry’s performance is just wonderful, and the whole thing is so silly and and so rock-and-roll that I’m entertained every time I see it. This is a must-see, and worth seeing live as well. Bring your friends! Get spanked.

October 18th: Re-Animator (1985)

Another horror classic, and what a classic! This is really a fun, well-done, gory movie. There are many characters who are fun and memorable (the conniving Dr. Hill whose teeth jut out like a cow’s, the innocent dummy Cain, the cool, evil genius West, the nosy Megan love interest, Mr. Halsey himself, looking disgustingly wonderful in his post-death phase). This is worth mentioning, because not many horror movies can be said to have a big cast of interesting characters. The gore level is high, but it’s not cringe-worthy torture gore like you may find in more modern movies, but dripping artful gore that I can just imagine an artist pouring over to make it as shocking and realistic looking as possible. The film does get disgusting, crossing some lines perhaps, but the overall entertainment value is incredibly high. I feel as if this is a must-watch for horror fans, and I’m glad I finally watched it. The whole thing is really just funny and even slapstick. There’s a lot of action at the end as well, and I even wanted more after the film finally finished.

October 19th: The Nightmare (2015)

This is a documentary about victims of sleep paralysis (victims? sufferers?). I had heard of sleep paralysis many times before, largely from AskReddit threads, and just sort of accepted that this existed without finding it terrifying in anyway. But, that’s probably easy for me to say, having never experienced it. Apparently everybody and their mother experiences sleep paralysis from time to time, and apparently a lot of the time it’s pretty terrifying. While watching this movie I looked up why people see scary things while experiencing sleep paralysis, and it has something to do with once realizing one can’t move the amygdala scans the territory for enemies and the brain, freshly in or out of dream state, provides basic images such as: shadowy man, figure on top of chest. Okay that does sound pretty terrifying. The movie itself is okay at best, and often cheesy and silly with its reenactments, but I must admit some of the sequences of what horrors people did perceive scared me, mainly because I couldn’t help but imagine, what if I saw or heard that while lying in bed? So this documentary did help improve my attitude toward sleep paralysis as something more credible that many people experience. I asked people on Twitter about their own experiences with sleep paralysis, and received a variety of responses, ranging from mildly startling to personally terrifying.

October 20th: John Dies at the End (2012)

I’ve seen this movie labeled as a horror movie—or maybe it was the novel that was labeled as such—so I decided to give this one a go. I remember back when the book came out in 2007, when I read avidly (and, like everyone, as I gradually stopped when the quality went down). I recall reading an article by Cracked writer David Wong where he dropped the fact that he had published a book recently. The book is labeled as “comic horror,” but the movie adaptation is more “comic action” and the horror vibes aren’t very strong with this one. There certainly is a lot of gore and monstery goodness, so I believe it can count as a horror movie in some respects. The movie is actually funny, but it took awhile to build up to this for me. The beginning came across as cocky and the characters were all over the place acting pretentious, so I found myself disliking it from the get go. However, the movie does improve as it goes along, and by the end I would say the whole thing was rather enjoyable, the plot more complicated and interesting than I initially assumed. I was never 100% won over by the characters, but their savvy provides for a lot of amusement, so it’s an entertaining movie either way.

Boom! There you have it Part Two of my Rapidfire Horror Movie Reviews for October. Twenty movies! I’m pretty impressed with myself so far, there have been years I didn’t make it this far—and those years were going even better than this one. So, with that said, do you believe I can make it to watching THIRTY ONE horror movies this October? I don’t know… I have some personal doubts. That would be a third installment of eleven horror movies. Holy shit! Maybe I can split this up into a four parter…. I don’t know. Keep routing for me though, send me movie suggestions, and await my Part Three!

Every October, I try to watch a horror movie every single day, like many people seem to be doing nowadays. I really like spooky, creepy, disturbing things (if you’ve been reading this blog a while, then yeah, well, that’s obvious). This makes October the perfect month for my obsession, as I can justify watching endless horror movies for no other reason than to make my life creepier. 

To be honest, after years of doing this I don’t think I’ve ever actually managed to watch thirty one movies during this month before—I think the best I’ve managed is perhaps 20, or 21. Which is still impressive! The thing is, I usually end up just going out to events like Prom of the Dead and getting sickeningly shit-faced while covered in fake blood, thus failing to watch horror movies near the end of the month. So this is my first installment of quick reviews of these movies, with a total of nine reviews on this list. I probably should have made it to ten for this, but I doubt I’ll make it to thirty one reviews, so I’ll just post what I have now and you can cross your fingers and cheer me on to waste my life some more.

October 1st: I’m Not Scared (2003) 


Uh, so, I thought this was a horror movie because it has the word “scared” in the title. This turned out to be faulty reasoning. This is not a horror film. It turns out there was some time in Italy called the “Years of Lead,” in the 1970s, when terrorism and kidnapping were fairly common. This movie is set during that time, and deals with a young boy’s handling of a crime that he stumbles upon. Michele finds a boy chained in a hole in his village, and it turns out there’s nothing spooky forthcoming, just lots of disturbing plot, concepts, acting and history. The whole thing is actually pretty touching near the end. Even though this ended up not being a scary movie, it is disturbing so I’m going to let it count because I don’t want to have lost a day. My psyche was scarred. It counts.

October 2nd: Entity (2012)


Although this was a horror movie this time, once again I was wrong with my assumptions. I guess I didn’t look closely at the cover and what I thought were grey-ish aliens were just Russian ghosts in potato sacks. Entity sounds like it might be referring to something science fiction, right? Eh, whatever. If you like ghosts…. you probably still wouldn’t like this movie. This was an awkward combination of found footage and actual 3rd person omniscient footage, which didn’t really make sense, and there were just endless scenes of the characters staring in abject horror at—something. I don’t know what really. The cameras never turned around to show what they were gaping at. At one point in the movie I finally concluded they were just gaping at scary sounds. This movie just made me angry most of time. And the guy who played Yuri, I guess he won some British award for Best International Actor—for this movie! Between him staring in horror and stuttering in fear/grief, I really don’t see it. The ending was okay…. I guess.

October 3rd: Inner Demons (2014)


Okay. Okay, we’re getting better here. This movie was very entertaining—not a good movie per se, but definitely fun and amusing. I enjoy the Intervention style to the found footage, and it was fun to see the lead girl be possessed. Not entirely scary, unless you have a low threshold, but entertaining. The knight in shining armor character is a little annoying, but the ending definitely took me by surprise. I thought for a moment things were going to be romantic or something—yeesh—but then out of nowhere disturbing violence came and saved the day. Some of the characters are stupid and annoying enough to be highly entertaining, and it feels like this is done purposefully. So I recommend this movie as a lighter horror film.

October 4th: We Are Still Here (2015)


This is a brand new horror movie, and I’ve been hearing the title alongside other 2015 horror names like It Follows and The Babadook. It’s an interesting film, with a rustic, cold setting and 70s vibe (I believe it is set in 1979). I wasn’t expecting the movie to have as much humor as it did—there were moments that were very amusing. Some of the acting of the townspeople is so typical of B-movie villagers giving exposition that I feel it must have been purposeful, thus making it funny. The movie is also surprisingly, and satisfyingly, gory. Not in a realistic way, but a fun Evil Dead bright red splatter-fest where you get to see some… interesting explosions. The plot has some confusing muddled parts however, and the ending left with me a lot of questions that I don’t think there are answers for. If you like a solid conclusion, which sometimes I want, then that can be annoying. However, an amusing, bloody horror film. Good for October!

October 5th: Spring (2014)


This one was surprisingly different. Out of the five I’ve seen, I would say this has been the best thus far. I don’t want to say too much about the actual plot, because I went in knowing nothing and ended up being pleasantly shocked about what was going on. I think knowing little about this movie does help the viewing experience. I will say the whole movie has a dream-like atmosphere that’s actually touching, with appealing hazy, dream visuals. It’s written and directed by the same two that did Resolution (2012), a movie which I also enjoyed and had a similar different, grainy vibe to it. Ultimately, this film reminded me of A Girl Walks Home Alone at Midnight (2014) except a lot gorier with ten times the dialogue. Not a traditional horror movie by any means, but an actual good solid movie.

October 6th: Digging Up the Marrow (2014)


This film seems to get a lot more flack than I think it deserves. When reading about it online, a lot of people expressed that they didn’t like it. I was intrigued by the concept (a man who insists there’s a world of monsters living under ours) so I planned to watch it anyway. The film is mostly made by the presence of the wonderful Ray Wise (of Twin Peaks fame) who plays the man who claims the monsters live under us. His insistent insanity and straight-facedness through it is humorous and off-putting. The interplay between him and the main douche is entertaining, and I enjoy that while it’s a bit cheesy, the scares do come as a surprise and get the heart racing. I saw comparisons of this movie to Creep, and I assume this is because they both are found footage horror movies that take a different approach with the genre. Of the two, I enjoyed Digging Up the Marrow much more. Also, the look of the monsters makes for a very Halloween vibe, making this a great movie to watch this month.

October 7th: Possession (1981)


Well, I certainly didn’t mean to emotionally scar myself this month any more than I do normally, but turning on this movie today has forever ruined my psyche just a little bit. Especially for every time in the future when I reflect on it. This film really warrants an actual full review, but I’ll stick with brevity anyway, as this was viewed as part of my October horror movie marathon, and maybe I’ll touch on it again in the future. The reason I chose to watch this one today is because I’ve heard it spoken about as a horror movie classic, and up to this point I’ve viewed exclusively newer horror movies. This 1981 flick filmed in Berlin was a needed mix. This movie is on a whole other level compared to the movies viewed thus far, however. In Possession, Sam Niell hires the worst private detective ever to track his constantly screaming wife who wants to divorce him, while a coked out Slavoj Zizek stumbles around him and Niell’s poor son plays victim in the middle. There are scenes in this movie that made me cringe and plead for reason and sanity. My stomach sank. My brain recoiled. Actress Isabelle Adjani screamed her soul out, and then when her soul was gone she still somehow kept screaming. The scene with her in the subway, screaming and just…. whatever that was… truly horrifying stuff. Easily one of the most disturbing movies I’ve seen yet, especially since the allegory is clear and something that affects many people.

Also, I messaged my favorite horror movie reviewer (HorribleReviews) about this movie, and he replied with some comments on it and a link to a segment of his Video Nasties series that reviews this movie.

October 8th: Mercy (2014)


And things just go down the shitter after that last one. I really did not like this movie at all. It’s based off a Stephen King short story, Gramma, not saying that’s why it sucked because I actually really do like Stephen King, but that’s where the story came from. The plot is corny, as King is want to do, and I just couldn’t stand either of the kid actors. The main kid’s attachment to his grandma didn’t make sense to me, as it only showed her protecting him from a rattlesnake—barely—at the beginning to establish their closeness, and then for the rest of the movie all he does is freak out about his grandmother and snap at his own family for not caring enough about his mean, crazy, evil grandma. I could barely even pay attention to the ending of this one.

October 9th: Kairo (Pulse) (2001)


After yesterday, I wanted to watch a quality horror movie. I recalled this movie, having seen it countless times on lists of must-see Japanese horror films, alongside movies like Ju-OnRingu, Noroi: the Curse, and Shutter (which I’ve reviewed on here before). Having loved those movies, I was excited to watch this one. Getting into it, I was a little bored, but I tried to keep an open mind and wait for everything to hit me. But… that just never happened. There are hundreds of raving reviews from huge horror fans about this movie, so this left me puzzled. What the hell? Many claim this movie has one of the most well-executed scary ghost scenes of all time (the “wobbly ghost”), but even that barely caught my attention. This movie is a slow-burn, but unlike movies such as Noroi: the Curse, that burn never actually ignites into anything creepy or horrifying. The movie is very metaphorical, yes, and the metaphor is easy to understand, but the profundity of it doesn’t seem like that big of a deal. Back in 2001? Maybe. Perhaps. But the ghosts look cheesy, the leads act incredibly stupid and slow-witted, and the post-apocalyptic twist has poor build up and makes the movie strange, not creepy. This movie was a huge disappointment for me, and I enjoyed Shutter much, much more, and found that ghost movie to be far scarier. The concept behind this movie is somewhat interesting, but with the strange lead with his unbuttoned shirt covered in marijuana-looking plants, and the multiple bland characters who fade away, the whole thing falls flat. And never fails to be incredibly boring.

Well, that’s what I’ve watched so far. Only 22 more to go! Typing that out makes me realize that this is far too many movies. Jesus Christ. Stay tuned for Part Two.

I had a lot of trouble locating a copy of Goodnight Mommy (2014), or Ich Seh, Ich Seh. The film came out in Austria last year, however the American release is scheduled for September 11, 2015 (um…. really?), so I needed to find an Austrian copy with English subtitles. As a frequent flyer at Kick Ass Torrents, I didn’t know Pirate Bay had changed their URL. It wasn’t on KAT, I couldn’t get Pirate Bay to load, so I spent a lot of time dicking around online looking for it and failing. I did find one file, but the subtitles were in some Eastern European language and I slapped my hands on the desk in frustration. After whining about this on Twitter, @SubtleManias linked me to the Pirate Bay file that I had completely missed.

So, was this search worth it? A lot of Americans are claiming this is the scariest movie ever made, somehow just from seeing the trailer.


As to be expected from most hype, this is all false. The movie was not even remotely close to being the scariest movie EVAR, and I wonder if it can even be considered scary at all. Disturbing? Yes. Most definitely disturbing. But not necessarily scary. Good? Well, I’m not so sure even that. I can’t say it was bad.

The movie, directed by Severin Fiala and Veronika Franz, takes place in an empty, quiet rural town in Austria. In the beginning, we see two creepy identical twins wandering the scenic countryside, fading into the darkness of tunnels and milling about. When they get home, we find out that their horrifying and skeletal mother has received some sort of face-plant surgery, her face wrapped in bandages, and we receive some information that a divorce and accident occurred recently. Whatever the accident was, it led to the mom’s surgery. 

Do I look creepy enough for you?

The mom is immediately a steely bitch, and the twins begin to assert that she is acting differently and therefore is probably not their mother. So where is their real mother? This is a question they ask repeatedly throughout the film. The viewers are left wondering for the majority of the movie, Is that their real mother? There is evidence that falls on both sides of the issue, so it’s difficult to be absolutely certain either way, though I developed my theories early on and I ended up being right. So the ending was predictable, and I think most people who view this movie will figure out what is actually happening within the first 20 minutes.

The tropes and devices are just so obvious. The alternative explanations are just sitting there behind every action, and the viewer can infer easily what is going on, though to the film’s credit there is enough doubt maintained that there is some uncertainty until you find out that, hey, actually, you were right and it wasn’t as complex as you thought it might turn out to be. I can appreciate that the movie was able to nurse that sense of doubt, but I can’t say that’s enough to make the outcome satisfying.

Everything about the movie is creepy and confusing. As predictable as the ending is, it’s disconnect with certain scenes throughout the movie allow the confusion to continue after the film. I had SO many questions when the credits began to roll that I couldn’t possibly be happy. There are scenes in this movie that are so random, so bizarre, that it seems they are just in the movie to make the viewer squirm and go, What the fuck!? But if those scenes aren’t relevant to the overall plot, then is that good film-making? I have to say no.

To be fair, there are also some things I misunderstood due to cultural differences. I had a fit wondering about a random scene where the twin boys climb up some human bones and skulls, only to inquire online and find out that in places like Austria there are old communal tombs where the remains of peasants are placed. Oh. Ohhhhh. Okay. Still don’t get why there’s a scene where the boys are climbing in one of those tombs, but okay.

You might be safer just not having kids.

The look and setting of this movie are amazing though. The house is so cold and strange, the furniture and placement of things within it so intense. The mother was a television personality and model of some sort, and there are creepy, blurry photos of her throughout the house that no one would ever put up on a wall. There are dolls sitting around the stones of their fireplace. All of the external walls seem to be blinds, so with a flick the walls can all be windows. The mother herself looks perfectly creepy, and those kids are creepy as hell as well.

The creepiness does beat you over the head, though. Halfway through the film, I was going, “I get it! Everything is creepy! Creepiness! Creepy mom and kids! Will something just happen?!”

Stuff does happen, though it’s not until there are ten minutes left in the movie. The ending is extreme, and the brief violence is enough to make someone cover their face or turn away from the screen. The bloodiness is effective. The person I was watching the movie with stood up and walked to the other side of the room during one scene, but came back to really have nothing else too extreme happen.

Although I see this film being advertised and discussed as truly horrifying, I don’t think this film is going to go over well with an American audience. It’s far too slow, too little happens. It’s simply too strange. I would say that if you are a fan of horror movies, you should watch it, because it’s atmospherically interesting, but it’s not even the best of its kind. I would much rather watch Funny Games, or Hard Candy, or The Strangers.

I do kind of want to watch it again one day, however. So there is that.

If you do watch it, make sure you pay close attention to the ending. There is a detail in there that can be missed that is pretty important.

I’m not entirely sure if I liked the movie Creep (2014). I didn’t hate it, at least, that’s a definite. That probably doesn’t sound very reassuring, however.

Hmmm. I’d trust him.

This found footage horror movie has an impressive Rotten Tomatoes score for the genre—92%! This is also impressive when one realizes that this film has a whopping two actors in it, plus a voice over the phone, if you want to count that. So here we have a found footage movie with two actors and tons of dialogue. Horror movies usually don’t go over well with critics, so what’s the deal here?

Well, this movie is probably the least “horrific” found footage that I’ve watched. The whole thing is more similar to the movie Exhibit A—both are arguably not horror movies, though I personally say that they are—but Exhibit A only gets a 52% on Rotten Tomatoes, a pretty big difference. I would say that Creep is more of a horror movie than Exhibit A, even. Why is one more successful than the other, then? They’re both unsettling movies told with handhelds and limited actors. They’re both about disturbed individuals.

I think it ends up coming down to the endings here. The biggest strong-point of the film Creep—so big that many probably forgive it of its weakness because of this—is its ending. The ending contains an incredible scene, both horrific and hilarious. The whole movie is a black comedy, but funny in a bleak, morbid, awkward way. All of this awkward humor and nervous laughter adds up to a great conclusion that sort of turns everything on its head and pokes fun at itself. That’s something Exhibit A definitely lacks, with its seriousness and hit or miss ending, even though the whole situation is far more believable. Endings are pretty important, and most horror films, honestly, don’t have very great endings. A good ending can make a lot of difference with the reviews. And it’s not even the most original ending; it’s pretty predictable. But the execution of the whole thing, and Mark Duplass’s acting in the role of Josef really makes it far more entertaining than it would have been otherwise.

And that’s the positive part of this review. Now, let’s get a bit more critical.

Creep is technically a mumblegore movie, a genre I wasn’t really familiar with until recently. Honestly, it all just seems synonymous with cheap, and to get literal, yes, there is indeed mumbling. The audio was poor enough that I had to put on sub-titles to understand what the characters were saying. As for the gore, there really isn’t any here. I don’t think there is a drop of blood in this movie, actually.

What there is a lot of is jump scares. And I mean a lot—of the same variety, from the same source, and incredibly cheap. Literally the equivalent of jumping out from behind a corner and going, “BAH!” The jumps are so bad and cheesy that I can imagine it would draw a lot of people out of this movie immediately (so the 92% on Rotten Tomatoes…?). Really, these cheap scares end up having a lot to do with the psychology behind Josef’s character, so when you look back at them they are actually more complex than they initially appear, but that still doesn’t make them good.

Honestly, how I felt throughout the majority of the film

At first, it’s pretty easy to suspend your disbelief with the plot. Aaron is hired from a Craigslist ad by a man named Josef, who is dying of cancer and whose wife is pregnant, so he wants someone to record his life for a little while to make a little movie for his son, so one day his son can see the kind of man he was. Okay, I buy it. Right off the bat, Josef seems a little weird, and that gradually builds up until the inevitable happens and you find out what you already knew, really—that he’s batshit crazy. As this craziness progresses, the film loses a lot of it’s believability. This is covered up somewhat by humor, and eventually lampshaded completely. It doesn’t make sense that Aaron wouldn’t contact someone and let them know where he is and what he’s doing. He waits way too long to call the cops, and by the time he does call the cops they don’t take him seriously or do anything. But of course, in reality, he would have gone to the police station and actually given them the footage. But whatever. It’s a movie, blah blah blah. If it wasn’t for the well-done lampshading scene at the end, I probably would have thrown my hands up and written off the whole thing, so the director clearly knew what he was doing by adding that in.

The movie is very different from others of its kind. It’s a slow-burner and the what the fuck level is very high, but its honestly funny in such an uncomfortable way. It’s definitely not a good movie, but I would say it’s worth watching, as long as you’re prepared to see a black, awkward, disheartening comedy and not a typical horror movie.

When it comes to the disturbing factor—because of course, I’m a horror fan, I want to be disturbed—I suggest you would be better off watching Exhibit A. Or you could just watch both! Have a creepy hand-held camera back-to-back movie night. Hell, I’d attend. If you do end up doing this, of course, please let me know, as I would love to hear someone else’s input on this.

Creep can currently be found on Netflix.

“Let’s just stop and ask her for directions. It’ll be fine!”

Not everyone enjoys the found footage genre, but it’s one of my favorites and I’ve been trying to watch them all. The genre definitely has its annoying tropes—Shaky cam! Glitchy footage! Where did the tape come from anyway?—though as long as you don’t find those absolutely unbearable, it’s better to embrace them as a means to an end. Horror movies don’t really work without tropes that glue shit together. There’s a lot of things that need to be ignored in order for certain plots to unfold, most notably common sense. Found footage films often require the viewer to grant more allowances, and I can understand why that would be a problem for some people, particularly those that suck at suspending their disbelief. I think it’s the creativity often employed in making found footage somehow work that draws me to these movies.

The film Grave Encounters (2011) is a popular mention and a personal favorite within the genre. The reasons I enjoy the movie so much are 1) the concept is simple but fun, and 2) the characters are for the most part so unlikable that it’s entertaining to watch them gradually lose their minds. Unlikable characters sound like a bad thing, but when you put them in a certain setting then some fun can result, and setting is a strongpoint in this movie. I’m going to go so far as to say that there is even a theme (oh god, my English teacher is showing). The characters are unimpressed with the paranormal activity they witness near the beginning, and they try to find bigger and better scares for their television show. They yell into the darkness and huff and complain. Appreciate what you get! Don’t ask for too much! Because they all certainly get more.

The plot of the film involves a paranormal reality show crew exploring an abandoned hospital (in reality, the Riverview Hospital, a really beautiful building). The host is Lance Preston, a whiny douche bag, who is accompanied by a faux psychic who is equally as whiny, a tiny whiny woman who is an occult specialist, a derpy surveillance guy, and then the only reasonable person in the whole group, cameraman T.C. This leaves us with a group of pretty aggravating people and one sensible person who needs to be there because we need to feel bad for somebody. This is the type of horror movie that operates on the idea that the viewer is going to want horrible things to happen to some of these people—they deserve it for whatever reason—and they will have to face the consequences for the mistakes they make, the mistakes that are causing you to scream at your television, “What are you doing? Don’t do that!”

The biggest “Don’t Do That” being that they lock themselves inside the vast haunted mental asylum. Don’t do that! And don’t trust the suspiciously clueless Kenny the Caretaker with the keys!

The whole affair starts off with a rather lame preface where a guy tells the viewer that they received a tape in the mail, and what you are about to watch are the contents of that tape. Thanks, demonic entities, for editing the footage! It’s amazing what ghosts can do with technology nowadays.

Once the crew is locked in, there are shots of grainy greenish dark camera footage as they film various spots throughout the hospital, looking for paranormal signs. They are seeking something out, and we wait for them to find it. When they finally breach the point of no return through their own stupidity, despite faking competence during the ghost hunt, the crew can’t even handle the tiniest unexplained thing. When things do get real, the film becomes similar to The Blair Witch Project in that there are a lot of arguments, and people arguing over what to do.

The twist is surprisingly unsettling in its simplicity, and the ensuing chaos produces a lot of good jump scares. The deaths in this movie are not great, the ending draws itself out unnecessarily, and the surveillance guy’s craziness is too much, but when it comes to how scary and unnerving I find the movie, I am very content with how I felt throughout. The setting in the movie makes a huge difference, because the building is really just perfect for a haunting, and scenic to boot. The overall aesthetic and atmosphere make the contents work very well for their purposes. I wish the movie hadn’t thrown away its “less is more” card at the end, but this is still one of the most enjoyable horror movies that I’ve yet seen.

I don’t really believe that there is such a thing as a horror movie masterpiece, because I haven’t yet watched a horror movie that didn’t have obvious flaws. I really only ever want to know, will it make me nervous, and scared, or jumpy? Will I not be incredibly angry at the end? Perhaps my expectations are low, but you have to look at a genre for what it is, and horror is not drama. When it comes to my litmus test, Grave Encounters passes.

I have heard through the grapevine (that grapevine being DreadIt) that when it comes to Asian horror flicks, the 2004 original Thai version of Shutter is incredibly scary. I am always eager and willing to watch Eastern horror for the reason that they often don’t focus so much on the slash and kill aspect, but rely heavily on disturbing imagery and psychological dread (excluding, of course, those fantastic Korean revenge films which are amazing in entirely different ways). The deaths are often more creative and strange, and I want strange when I watch a horror movie. Strangeness in itself can be pretty horrifying, when done right.

A new Instagram feature: Auto Ghost!

Unfortunately for me, I saw the 2008 American version of Shutter in theaters. While The Ring is arguably of equivalent quality to Ringu, and The Grudge is almost as good as Ju-On, the American version of Shutter (same name) stars Joshua Jackson of Dawson’s Creek fame and it is just absolute garbage. The plot is the same however, which means that going into the good version I already knew exactly what was going to happen. The end reveal is much better executed in the Thai film, so I feel as if I lost some of the unnerving jolt of it by already expecting it. The image was already in my head, so seeing the image lost some of its impact.

The film is very along the same lines as Ringu and Ju-On, meaning pale girl with long black hair creeping around and ruining everyone’s day, but despite focusing on this same trope, the scares do work. There are two particular images that are extremely unsettling. The first is a jump scare, an unexpected movement in a photograph, that is startling because it has you focusing closely on a small segment of the photo before the movement occurs. The second comes from a series of photographs, much later in the film, and the movement involved in this one has quite a creepy look that is just fun to watch.

The scares and imagery, then: fabulous.

The plot, however, has some strange holes.

The one thing that left me confused and distracted for a large portion of the movie involves the car accident that occurs at the beginning of the movie. The lead male Tun and his girlfriend Jane are drunk driving and hit a woman, and when weird things start happening, Jane believes they are being haunted by the woman they accidentally murdered. Things are not this simple, however, because there is another woman who committed suicide, and that whole story is the majority of the movie’s focus. So, what’s with the hit and run earlier? The second woman had already committed suicide by the time of the accident, so did they hit this woman’s ghost? I believe this event may have sparked Jane’s discovery of the Big Horrible Scene that occurs later in the film, but that’s my one theory. If anyone else has any other ideas about these seemingly two separate deaths, then I would love to hear them.

Shutter is a good horror movie and it makes you jump. Those into more hardcore horror may be unimpressed, but a fan of ghosts and the supernatural will surely find themselves scared.

To be safe, as a general rule of thumb, I suggest watching the original before the American version, when it comes to any movie. Even if the remake turns out to be good, at least you’ll go into the original blind just in case it’s not.


My thoughts on life, love, and movies. Okay... mostly just movies.

Johannes Punkt’s Flaskpost

You may be required to show proof of id.

Rooster Illusion

Arbiters of Taste - Movie Reviews and More.

Dry-Humping Parnassus

Poems, Stories, Satire & Humor




to move with love, to move in leaps.


food for the dead


Thanks for reading!

Casey Callich, Copywriter

Writing from a place of joy.